This exhibition presents teaching practice cases from the courses on Speculative Design and Biodesign at the School of Innovation Design, China Academy of Art. Against the backdrop of the convergence of life sciences and material ecology, biological thinking is introduced into design methodology, focusing on the philosophy of biotechnology and the speculation on bioethics, catalyzing the artistic value of new life phenomena and organism phenomena. Through the "Micro Growth Laboratory," "Biocomputing Laboratory," and "Design Thinking Laboratory" sections, the practices of computational form generation, synthetic growth materials, biodesign experiments, and artificial life entities are completed. By designing new materials, inventing new species, and constructing new ecosystems, cross-domain collaborations are formed to jointly explore the relationship between bioecology and future life, proposing future design propositions and predictive frameworks. By establishing archives of unnameable objects, we imagine that our universe might actually be a design work created by beings from another universe, and that we have the capacity to design every life form. Viewing ourselves and the human world from a non-human perspective, we use biological, microbial, mycelial, mineral, planetary debris, and cosmic particles as our materials, and employ speculative methods to imagine how we might undergo transformations in image, matter, and concept when we no longer retain human shapes or are made of non-human substances. It is not only about unnameable objects, but also about surrounding and passing through them, and the fact that they do not truly exist; they allow us to transcend utility and pleasure. They are not only real and imaginary, but also discovered and designed, creating new perspectives to interpret, present, and experience the world.