This is an exhibition which has been made despite the Corona Virus pandemic and seek new ways to bring audience and artist together in conversations on the meaning of art. It continues in the tradition of our I4 exhibition at FutureLab in 2019 which placed emphasis on the four key underpinning elements of Salford's approach to creative pedagogy. This year, our concern about travel and face to face participation incidentally create a chance to visualised our attention to how different medium affect content. The exhibition is organised by the Salford School of Arts Media and Creative Technology in collaboration with the Salford University Art Collection Centre, and which also presents as a processual stage for Salford's thinking of curatorial practice and the use from the archive as two emerging pedagogies for art education. The exhibition employs "multi entities" and "cross entities" constructing methods to augment the (ir)related use of an artwork. Meanwhile, the curatorial context, in terms of a decentralised content curation, a comparison method for representation between the narrative and interactive digital medium, and the collection and preservation of arts in digital context, are reflected by three the bunks of construction.