Deep Sea Creations
想象一下在海平面之下几千英尺深的环境中,氧气极为稀薄,唯一的光源来自于深海发光生物。在我们的认知中,仅有少数物种能够在那样的环境下生存,其中之一便是吸血乌贼。这一生物也成为了文化理论家、哲学家Vilém Flusser (1920–1991) 的灵感来源。在其哲学小说《幽灵蛸》(意为“来自地狱的吸血鬼”)中,Flusser 将我们带入这种从人类视角看来是一种终极“他者”的动物的日常生活,从而对人类生活中的现象事件进行分析。 根据Flusser 的这一概念,柏林艺术大学计算机/ 生成艺术专业的师生包括 Anita Jóri、Alberto de Campo 以及Hannes Hoelzl 对一系列与深海相关的哲学性问题进行了思考,如沉浸性、动物性、他性、抽离以及海洋塑料污染等。来自计算机生成艺术课的老师、学生所组成的The Society for Nontrivial Pursuits 共同展示了一群假想中深海生物形象的作品。这些“生物”形成了一个物种(人工个体)截然不同的关系网,但同时这些个体也有一定的方法通过某种集体规范来决定自己的行动。展览由此形成一个自治的,没有中心的决定系统——所有的成员都享有同等的权利。这些“生物”在环境中所展开的协商机制,也是一种对生物进化选择过程的模仿。
Imagine the circumstances of the deep sea, several thousand feet beneath the surface. The only sources of light are bioluminescent creatures, and the level of oxygen is extremely low. As far as we humans know, only a few species can survive there. One of them is the vampire squid that also inspired the cultural theorist and philosopher Vilém Flusser (1920–1991). Flusser’s book VAMPYROTEUTHIS INFERNALIS is a philosophical fiction that brings us into the everyday life of this animal – as the ultimate “other” from a human perspective – and analyses different phenomenological events of human life. Based on Flusser’s ideas and organized by Anita Jóri, Alberto de Campo and Hannes Hoelzl, the students of Studium Generale and Computational/Generative Art reflected on deep sea-related philosophical questions such as immersion, animality, otherness, distancing and ocean plastics pollution. The Society for Nontrivial Pursuits (students, teachers, alumni and friends of the Computational Art class) presented a group work, an ensemble of hypothetical deep sea creatures. They constitute a network of very divergent specimens (artificial individualism) which nonetheless have ways of deciding about behaviors they want to share via coded collectivity. In this way, a model of autonomous, acephalous decision-making is created - all creatures have equal influence, and the negotiation processes they initiate may resemble evolutionary selection processes.
Berlin University of the Arts
柏林艺术大学(UdK)是欧洲最大的艺术学校。它是一所公立的艺术和设计学院,也是柏林四家研究型大学之一。该学校以作为全球规模最大、最多元化的艺术学院之一而闻名,拥有面向纯艺、建筑、媒体与设计以及音乐和表演艺术的四个学院。同时,它也是德国仅有的三所将艺术和音乐结合起来的大学之一。 90年代以来,学校以科技进步、新媒体发展为契机革新自身教育和管理体系,引申出艺术与科学、与社会经济相结合的课程和发展模式。学校重视国际交流,发起了全球艺术与音乐高校合作交流网络(NICA);与此同时,得益于柏林本地丰富多彩的文化氛围,学校每年亦会举办超过500场学生演出和艺术活动。柏林艺术学院秉承“公开”和“创新”的艺术教育和创作原则,不断促进文化、科学与研究实验室的对话交流。
Berlin University of the Arts (UdK) is the largest art school in Europe. It is a public art and design school, and one of the four research universities in the city. The university is known for being one of the biggest and most diversified universities of the arts worldwide. It has four colleges specializing in fine arts, architecture, media and design, music and the performing arts. Thus the UdK is one of only three universities in Germany to unite the faculties of art and music in one institution. Spurning compromise in artistic and creative disciplines, the colleges facilitate an integrated view of the arts by means of interdisciplinary projects, shared theoretical starting points, and the consolidation of related academic fields. Thus Berlin University of the Arts gives its students—at an early stage and within the protected sphere of a study course—the opportunity to investigate and experiment with other art forms in order to recognise and extend the boundaries of their own discipline.